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What do you call the opposite of a reboot? The “system overload” of “Spider-Man” movies, Sony’s ninth (and almost certainly not last) feature-length riff on the friendly neighborhood superhero, “Spider-Man: No Way Home” seeks to connect Tom Holland’s spin on the web-slinger with the previous live-action versions of the character by first reassembling a rogue’s gallery of all the villains Peter Parker has vanquished to date. “President” may hit especially hard with audiences who have recently become all too familiar with talk of stolen elections - as it depicts a scenario in which such accusations are backed by disturbing numeric discrepancies rather than wounded ego and bluster.
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Those who haven’t checked any headlines from Harare in the interim could hardly be prepared for the gut-punch of “President,” Nielsson’s galvanizing, epic-scale docuthriller tracking Zimbabwe’s corruption-riddled 2018 presidential election - presented here as a brazen feat of hijacked democracy to make Donald Trump positively chartreuse with envy.
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The world is one big carnival, and we’re all just suckers - or marks, in the parlance of the traveling grifters so effective at fleecing those poor rubes who are not with it - in del Toro’s “Nightmare Alley.” A perfect match of material to auteur, William Lindsay Gresham’s pulpy 1946 novel and the shockingly dark studio picture it inspired give the helmer, hot off his Oscar win for “The Shape of Water,” a chance to go full film noir, resulting in a gorgeous, fantastically sinister moral fable about the cruel predictability of human nature and the way entire systems are engineered to exploit it - from carnies and con men to shrinks and Sunday preachers. Nightmare Alley (Guillermo del Toro) CRITIC’S PICK But Smith did go to Minamata, and the images he sent home in late 1971 - especially a wrenching, pietà-like portrait of a mother bathing her mercury-poisoned daughter - defined not only his career but the human impact of industrial pollution as the public knows it today. Eugene Smith’s legacy would likely be that of a war photographer, or else as one of the leading contributors to Life magazine, whose immersive approach to his subjects helped pioneer the concept of the photo essay. If it weren’t for the work he’d done in the Japanese fishing village of Minamata, W.
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At the same time, Wright, back on form and evidently reinvigorated by the pandemic, once again displays the kind of radical creativity that made early-career stunners “Pride and Prejudice” and “Atonement” so electrifying in their time. By enlisting Bryce and Aaron Dessner of the National to compose the songs - lovely, wistful pop ballads for which Matt Berninger and Carin Besser supplied the lyrics - “Cyrano” restores the show’s sense of poetry. The splendid new adaptation presents “Cyrano” as 21st-century MGM musical.
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Find more movies and TV shows to stream here. Here’s a rundown of the films opening this week that Variety has covered, along with information on where you can watch them. Let Variety help you find that next well-earned bit of escapism, whether it’s the highly-anticipated “ Spider-Man: No Way Home” or the psychological thriller “ Nightmare Alley.” Fall movie season is upon us - though the release schedule has never been more confusing, with some blockbusters heading directly to streaming, others in theaters only and various independent films mixing up strategies between theaters, streaming and VOD releases.